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“Some critic called me the Nothingness Himself and that didn’t help my sense of existence any. Then I realized that existence itself is nothing and I felt better. But I’m still obsessed with the idea of looking into the mirror and seeing no one, nothing.” - Andy Warhol
via L-A-T-E-X.
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The Reptile (1966)
Roy Ashton’s makeup for the creature included appliances created from a mold taken of real snakeskin.



